It’s an odd name, The Mount Without, thought to come from the fact that it was built outside of the city’s walls back in the early 12th century. These days, this once-abandoned church is at the centre of Bristol’s creative scene – hosting everything from music performances to art exhibitions and, now, the inaugural programme from Bristol’s leading contemporary dance company, IMPERMANENCE.
There are a total of six dance and theatre productions transforming The Mount Without for the Spring / Summer 2025 (Tuesday, March 4 to Thursday, July 10). There’s a new show every month, from internationally renowned choreographers, tackling themes of dark fantasy to spiritual poetry to female sexuality. And it all kicks off with CRASHOUT – a groundbreaking solo performance by Marikiscrycrycry.
IMPERMANENCE’s directors Roseanna Anderson and Joshua Ben-Tovim, have curated a season of diverse choreographic voices and innovative approaches. This is “the largest and most dynamic dance programme the city has seen in decades”, reinforcing the company’s commitment to providing a platform for cutting-edge work.
“The season isn’t just about showcasing incredible dance,” said Joshua Ben-Tovim. “It’s about creating a space for transformative ideas to thrive, for artists to push boundaries and for audiences to engage with something truly special. CRASHOUT sets the tone for what’s to come.”
IMPERMANENCE Spring / Summer 2025 season:
March 4 – 6: CRASHOUT by Marikiscrycrycry
“A visceral and powerful exploration of dark fantasy, emotional tension and complex symbolism. Marikiscrycrycry’s new solo work engages with ancient iconography and the personal experience of rage, regret and healing.”
April 8 – 10: AFTER ALL by Solène Weinachter
“A deeply moving exploration of death, loss and the transition between worlds, blending dance, theatre and comedy to create a space for collective contemplation.”
May 12 – 13: Songs of the Bulbul by Aakash Odedra
“A stunning collaboration between two Sufi Kathak masters, blending spiritual Sufi poetry and the intense physicality of Kathak dance.”
May 14: To Be Continued
“A mixed bill of short works-in-progress by IMPERMANENCE and guest choreographers, with an in-depth post-show talk offering audiences a glimpse of new ideas and creative processes.”
June 17 – 19: ELEFANTIN by Cree Barnett-Williams
“A dance-theatre satire confronting the expectations of female image, sexuality, and empowerment in pop culture, with a nod to the iconic Barbie.”
July 8 – 10: Hope Hunt and the Ascension into Lazarus by Oona Doherty
“An award-winning, dance theatre piece exploring masculinity, morality, and nostalgia through powerful character transformations.”
To learn more and purchase tickets head here.